The Girl in the Spider’s Web | Movie Review
Claire Foy may not be a household name yet, but she’s definitely making a name for herself in Hollywood. Born on April 16th 1984...
‘PERCY VS. GOLIATH’ Review | Disappointingly Inaccurate
While brilliantly acted, Percy vs. Goliath erases all nuance from the controversial subject matter, diminishing the value of a message that would have been more honestly conveyed with a genuine depiction.
‘THE PROTÉGÉ’ Review | A Popcorn Thriller with Wasted Potential
The Protégé has the talent required to make something special, but a weak script dooms it to being yet another run-of-the-mill action thriller.
6 Underground | Michael Bay at His Worst
Skip this movie unless you're dying to see how bad of a train wreck 6 Underground truly is. Check out the full review here.
‘SNAKE EYES: G.I. JOE ORIGINS’ Review | Paramount Strikes Again
Snake Eyes: G.I. Joe Origins feels like a generic 90s action movie. Remove the handful of G.I. Joe references and it would be extremely difficult to tell this was a Snake Eyes origin story.
The Happytime Murders | Movie Review
Since I was a child, Jim Henson’s puppets have had a small place in my life. Growing up I was an avid Sesame Street...
‘WONDER WOMAN 1984’ Review | Divine Disappointment
There isn’t much praise that can be given to Wonder Woman 1984. There will be some diehard fans that look beyond all of the faults in the film and just enjoy Diana Prince doing Wonder Woman things. It’s a very positive film, so it has that going for it, but otherwise this is easily one of the worst films in the DCEU roster.
‘DAY SHIFT’ Review | Twilight Was Better
What happens when Netflix gives a first-time director and first-time writer a lot of money and a few stars? Find out in our Day Shift review!
‘ROADRUNNER’ Review | One Anthony Bourdain Viewpoint
'Roadrunner: A Film About Anthony Bourdain' ties in interviews with friends, confidantes, coworkers, and his three former partners.
Three Christs | An Unfaithful Mishandling of a Fascinating Study.
Three Christs takes egregious liberties with the source material, transforming what should have been a fascinating story into a romanticized rendition.
